TIME AND THE CONWAYS

Elizabeth McGovern, Matthew James Thomas, Cara Ricketts and Anna Camp in Roundabout Theatre Company’s TIME AND THE CONWAYS. Photo by Jeremy Daniel.

*** 1/2

In TIME AND THE CONWAYS, by J.B. Priestley of AN INSPECTOR CALLS, a fatherless family of siblings, led by their capricious Mother, throw a birthday party in 1919 Britain at the end of the war. The play then makes a jump to 1937 where we can see the effect of time on the characters and the result is not heartwarming.

Director Rebecca Taichman, who won a Tony for last season’s INDECENT, once again shows her flair for theatricality with a mise en scène that fits the melancholy action elegantly. There is a Set change that is so achingly mournful, I won’t easily forget it.

Nevertheless, this is not a perfect revival. Ms. Taichman concentrates on the grand illusion while the cast is sidelined. The performances are uneven and some of the revelations are diluted. This is a charming play with inventive staging, so I am happy I saw it, but like the Conways themselves, I only wish it had fulfilled its potential.

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