Elizabeth McGovern, Matthew James Thomas, Cara Ricketts and Anna Camp in Roundabout Theatre Company’s TIME AND THE CONWAYS. Photo by Jeremy Daniel.
In TIME AND THE CONWAYS, by J.B. Priestley of AN INSPECTOR CALLS, a fatherless family of siblings, led by their capricious Mother, throw a birthday party in 1919 Britain at the end of the war. The play then makes a jump to 1937 where we can see the effect of time on the characters and the result is not heartwarming.
Director Rebecca Taichman, who won a Tony for last season’s INDECENT, once again shows her flair for theatricality with a mise en scène that fits the melancholy action elegantly. There is a Set change that is so achingly mournful, I won’t easily forget it.
Nevertheless, this is not a perfect revival. Ms. Taichman concentrates on the grand illusion while the cast is sidelined. The performances are uneven and some of the revelations are diluted. This is a charming play with inventive staging, so I am happy I saw it, but like the Conways themselves, I only wish it had fulfilled its potential.