MARVIN’S ROOM

MARVIN’S ROOM Janeane Garofalo, Lili Taylor. Photo by Joan Marcus.

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Comedy may be hard, but it seems dark comedy is harder still. After the dour movie starring La Streep, I was happy to get to revisit my beloved MARVIN’S ROOM with the Roundabout’s production starring Lili Taylor, Janeane Garofalo and Celia Weston. I guess I’ll have to hold off on my celebrations until the next revival.

MARVIN’S ROOM, written by Scott McPherson who died at the age of 33 from AIDS, is filled with gallows humor and moments of heartbreaking beauty. This production has mined only half of the laughs and glosses over some of the most touching moments from the play. The director, Anne Kauffman, is aware that it is a comedy, but goes for the broadest jokes as with the overplayed Doctor. Some of the most poignant scenes are barely audible and not given the full weight that they deserve, as in the pivotal scene where Bessie explains to Lee how she benefits from caregiving. Those lines should resonate and devastate, instead, they are just another conversation on an oversized stage. The set is cumbersome and you lose all sense of intimacy so necessary in the tender scenes. The sound design is inadequate to the point where one character is inaudible for half of his lines, further distancing the audience.

I will never forget sitting down at the Minetta Lane Theatre and laughing till I cried at the plight of these Health System Warriors and their struggles to retain their humanity. Even a half-hearted revival won’t dim that memory.

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2 thoughts on “MARVIN’S ROOM

  1. Never saw the original or the movie. Looks like I’ll be skipping this one, too. Thanks for the head’s up.

  2. You captured our reactions perfectly. We too appreciated the chance to see this funny and heart-rending masterwork again, with a top-notch trio of actresses. But what a missed opportunity and wrong-headed design, starting with the choice of such a huge playing area. And isn’t the main purpose of a turntable to enable a smooth transition between scenes? This one was so poorly conceived that crew members are seen carrying furniture and props on- and off-stage. Perhaps that was to mask the time it took for costume changes, which should also have been streamlined.

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